Facts About Sao Paulo Art Museum of Art Paintings
Some parts of this article accept been translated using Google's translation engine. We sympathize the quality of this translation is non first-class and we are working to replace these with high quality man translations.
Introduction
The edifice of the Art Museum of Sao Paulo known equally MASP is one of the major works of mod architecture in Brazil, one of the icons of the renewal of the city. It was designed past the Italian architect, nationalized Brazilian, Lina Bo Bardi, in 1958, existence his nigh important work.
The building'due south history begins when the husband of Lina Bo Bardi, Pietro Maria Bardi know Assis Chateaubriand in 1946. Bardi, journalist and fine art critic Italian with Chateaubriand, lawyer, journalist and entrepreneur owner of Associated Newspapers and Sao Paulo Issuers intend to create a new contemporary art museum in Sao Paulo.
Initially, the MASP worked on the second flooring of the building of the newspapers associated with an gauge surface area of thou square meters, opened on Oct ii, 1947. However, the architect conceived from the beginning, the need for its own headquarters.
The proposal was to hold regular exhibitions, promote educational aspects of art contests and conferences and also open schools on topics not widely used. Bardi wanted to create a "living museum" and found in Brazil the perfect setting for your goal.
Promoted by the Municipality of Sao Paulo, the building was erected on the site of the one-time Belvedere Trianon on Avenida Paulista. The land had been donated to the Mayor past the engineer Joaquín Eugenio de Lima, architect of the Avenida Paulista and precursor of modern urbanism in Brazil. The donation was fabricated with the limited commitment not to build on information technology a work detrimental to the aamplitude of the skyline. From these premises, the project came to realize that was completed in 1968.
The schools were opened MASP engraving, painting, industrial design, sculpture, ecology, photography, cinema, gardening, theater, trip the light fantastic toe and even fashion.
The celebrated gallery was completed with works by French sculptor Degas, Van Gogh paintings, Velázquez, Renoir, Goya, Titian and Picasso, amongst other artists, Pietro Maria Bardi bought between 1947 and 1953 in Europe.
Between 1996 and 2001, the administration of the Museum undertook an extensive and controversial reform. Many architects noted that reforms des caused the initial project settings.
Since 2003, the edifice was protected by the Instituto do Patrimonio National Historical and Artistic.
Status
Vantage point is located in the city, the intersection between two overlapping roads, Avenida Paulista and the tunnel of the Avenida 9 de Julho. One side of the field to the street and the other to Parque Trianon, where once stood the Belvedere Trianon. From there yous can see the centre of the city and the Sierra de Cantareira.
Concept
The building is designed equally a container for art to exist culturally revitalize the area where information technology is implanted. With a uncomplicated architecture, immediately communicates what in the by was called monumental, urging the sense of the collective, the 'civic pride'.
The architect conceived the museum "beyond the limits". The project is realized every bit a large volume suspended leaving open floor plan, supported on four pillars entwined by two giant beams. With concrete structural elements and container glazing, recalls the architecture of Mies Van der Rohe. Additionally, a buried volume takes the difference in level betwixt the 2 avenues.
By adopting this political party, respected the condition imposed by the donor of the land. The pinnacle of the edifice on the sidewalk, allowing passersby go below this, without interruption in the same.
The loftier volume is suspended 8 meters above the footing. With a total length of 74 meters between supports, the work was the largest plant in the world in their gratis time.
Spaces
Occupies approximately 10 g square meters.
The embrace is a large square base. In the basement is a large borough hall meetings hosted public and political theater – auditorium and a small auditorium with cinema.
In the suspended volume houses the gallery with their desks, temporary exhibitions, showrooms item, i library, film library and video library.
To display the paintings, the builder used tempered glass canvass supported past a base cake imitating concrete. This recalled the position of the table on the artist's easel. Currently, these bases are not used.
The void is the place dry out and the building entrance hall plays a key role in the project. This articulates both sides of the building with the urban center: first the Paulista Avenue buildings which is the same level that the gap dimension, and on the other hand, the space opens up dimensions stepped within the tunnel from Avenida 9 de Julio. The vacuum gives the project an air infinite and shadow among the tall buildings of the metropolis.
The thought of vacuum, air, is related to the route of exposure in the museum and also expresses a concept of time, where the viewer is dominant and manages the space and not the reverse. The large open infinite, both outside and interior is managed by the company, without existence forced to take one direction or another simply moves freely. The individual is the key, is endorsing the space the style you want to take it.
An outdoor staircase and a lift in steel and glass allow communication levels. The ladder represents both the passage from by to futurity, the idea of fourth dimension every bit a way of articulating the infinite, a meeting place between the outside and within. At one end of the vacuum, picks up visitors acting as a magnet, prepares and makes up slowly and deliberately through this staircase landing, a human being calibration within a disproportionate scale vacuum.
All facilities, including air-conditioning were left in sight.
The Dais was transformed into a identify with plants and flowers around, and flooring boxes that recollect Iberian-Brazilian tradition.
With the 2001 reform, was made a full general waterproofing. The beams were painted red which marked fifty-fifty its structure, which saves 70 meters of calorie-free in its longitudinal management. Also, there was a change in the original floor, which had been called initially by the architect Lina Bo Bardi, and the installation of a second elevator, the building of a 3rd basement and replacing the mirrors of water gardens.
Materials
Concrete was used, tempered drinking glass and plastic walls. Floors are black rubber industrial type throughout the work except in the civic hall where goiás coated with rock,
Structure
Prestressed physical beams.
Source: https://en.wikiarquitectura.com/building/art-museum-of-sao-paulo/
0 Response to "Facts About Sao Paulo Art Museum of Art Paintings"
Post a Comment